Between the boards

In my childhood we peered between
[FCC: public airways belong to everyone.]
slatted media-control fences, won-
[We cannot allow any but market forces to]
dering where these LP's we saw came
[dictate who will get licenses, who will be]
from, artists we'd never heard, never seen
[allowed to own a broadcast station, what]
over our airwaves. Sometimes these fen-
[those stations will play. If young people]
ces presented themselves as white, snowy
[represent compelling market demogra-]
static on those TV channels which deli-
[phics, market dynamics will act as incentives]
vered no signals. We scoured back
[to serve them.] [Record exec: one cannot]
pages in magazines, looking for 'just one
[suppose your average teenager knows]
more' to satisfy our latent curios-
[good music from bad. We don't truly get]
ity. Our comics straddled two worlds to sur-
[this so-called music ourselves, you un-]
vive. Real good ones, 'too offensive,' hid in
[derstand; certain performers make]
head shops near bongs, fringed
[better stars than others. We help main-]
leather jackets, patchouli oil. Even shows
[tain morality, give kids something to do,]
we liked fenced us this way, making us
[keep them from getting into trouble.]
endure dog acts, plate spinners,
[Sure, we pay to get our records on]
Borscht Belt comedians to catch
[the air. Capitalism's the name of the]
three minutes from "Today's Latest
[game, baby, how the world works.]
Greatest Group, the..." Yardbirds.
[You don't mind if I light this cigar?]
Troggs. Beatles. Elvis. Lovin' Spoonful.
[Your local politician: Zoning laws]
Car radios came with buttons, we
[can be used creatively to keep this]
thought, to facilitate quick-punch-
[craziness in check. If you really don't]
ing from 'that awful song by...'
[want your child to listen to this...stuff,]
only to hear it anyway on our city's only
[don't let them buy it. It's how Ameri-]
other pop music station. We saw fences
[ca works, donchaknow? {wink}]
everywhere: Midwest, small towns, the
[Now remember to vote for me next month!]
South, anywhere without "a scene".

We chipped at, kicked at, hammered

at, pulled at those fences. Bit by

bit those slatted boundaries fell.

[Where ya bin'? I've sang these words]
Ninety-minute TV concerts at
[every day. Never saw you here before.]
midnight. Imports in our record stores.
[Listen to me. This ain't jazz, it ain't classi-]
Lyrics about living, loving, dying, in-
[cal, it ain't nutthin' but music, dude!]
stead of "wake up little Susie" or
[Ya payin' attention? Hey! I'm talking]
"Tell Laura I love her...", we heard
[here! Ah, forget it. You don't get it.]
Woodstock's Fish chant. We cheered

Making up nickel bags. We sang

"let's spend the night together."

We gave Peace a Chance. We

looked around suddenly, re-

alizing those fences were gone, but

we'd changed—we've fenced ourselves

in, we've fenced those who come after.

7/100

2 thoughts on “Between the boards

  1. This is really interesting! I love the two poems stacked like that, the two perspectives. Within the text we see just what has changed and it’s hammered home by those great last lines. Fantastic writing, friend. My favorite of yours so far.

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