Reporter, editor, photographer. Eighth grade teacher of English and computers. Actor. Quality assurance professional for pharmaceutical manufacturing. And always a writer.
I recently revisited “How Dare You” by 10CC. What a great album for these times! Particularly “I Wanna Rule The World”. If you feel a bit disrupted by politics lately, give it a listen. Some of the tunes just say “wow, what a masterful control of the pop genre.” Others? A bit close to the bone in these times. Seems to me that the band anticipated the 1980s rather well.
Old folks get “procedures”…lots and lots of ’em. Is it worse to prepare for where cameras should never go, or wait for someone else’s? (Said “someone” adding two hours to the wait because the fine print for drinking liquids addressed certain drugs which said “someone” might have been taking.)
Was this grass gone to seed when I entered the building? August 2026.
Waiting [.....] Never my strong suit, worse when it's unanticipated. Need to blame someone. Hope we're at fault; hope we're not. Then again...what did you plan to do today? Nothing Much. What ARE you doing? See? If two roads lead to the same place, how can one be better? (However: could that dude perhaps lower that video's volume?)
A haiku today, the second of slight illness (on top of all the parts of me which don’t seem to want to work right). It’s OK. I think it just started raining, and I know I’ll mostly be just chillin’ tomorrow when my wife has one of those procedures all of us old people get….
Benny on lap. April 2023.
man with cat on lap pet each other—happiness. nubbins on his pants
Almost every day, he said, my glass seemed more than half full, but a fly would dance on top. When we came into home, winging away from sunset, I saw one cloud-like nuclear explosion. My trip's symbolic, beautiful resolution.
Different voices have defined “found” poems differently. Here, I started with the opening line of a poem I drafted over a dozen years ago, then used random web pages to suggest a few words from which would spring the next line. I let whatever revealed itself in my creative half exist without immediately squashing it, merely shaping it, translating it from my interior language-without-words to a poor imitation in English. My Editor insisted on punching meaning into it, which I allowed. At the end I decided it needed to come full circle, thus lending meaning (I hope) to the final lines. In a way, this process worked similarly to something I’m getting ready to post (non-poem) when time allows.
We wear patchwork clothes, stitched by sadness not to have seen snow leopards through our blizzarding genesis. Inspired by writings we don't understand, we personalize them to make everything obtain meaning where none existed. Welcome to your mission: to drive home meaning to others while pathetically struggling to find your own, exhibiting your confidence which betrays your lack of understanding. "the mic is yours, Ken," as if he thinks I'm important. Games, games fill cracks left when motive, meaning dried up. More valuable than playing? Being. Staying within where we find nothingness imbuing everything-ness. Boldly facing it without doing, comfortable in this. Yet, in here we wear patchwork clothes, satisfied they're stitched by sadness.
Schism—that beautiful word. Listen to it! Hear it? Ripping through what once lived whole? Its glorious "skuh" scissoring toward schoolish "ism". Feel its sanctimonious surety? How pulling apart gives one purpose, direction, somewhere to stand? So much easier than moving toward that Other Force. Loosening rather than tightening. Accepting difference without judgment. Giving SCHISM nowhere to live. There's a reason those yin/yang symbols have those oppositely colored spots.
The older I get (and others I presume), the more difficult it becomes to fight against the tide of habit. For a borderline obsessive-compulsive, it’s extra hard.
My father’s rose, transplanted. July 2024.
Habits beget habits, rituals, rituals. Unfortunately, predictable. Grasp inspiring spark, informer of our ruts. Use its spark, its flame, burn away time's accumulated dross. Re-enter one's original intent, one's sincerity, one's honesty. Live there.
Pop quiz: young man below (who hopefully will not be recognized because I doubt he will be flattered) was a real-life grad student. This photo represents what?
A. a waste of his parents’ money
B. proof “too much education” actually is a thing
C. the dangers of drinking
D. the empirical method at work, determining remaining quantity of beer
E. a complete lack of hand-eye coordination
F. pick any two above and provide a complete argument for your choices
College dormmate, Fall of 1976
Summer, nineteen seventy-six, living my self-realized dream of poverty, danger, emotional confusion combined with dead-end work. No car. Walk two miles to work, six days per, rain, shine. Three of us with Crazy Pete supervising(?), performing work long since killed by technology's steady advance. Loaned co-worker Zen and the Art of Motorcycle Maintenance precipitating his mental descent, believing himself to be Jesus. Nearly killed my roommate, here now first confessed. My defense, your honor, has to do with his pistol-waving girlfriend, sister to his wife—plus their side business, stealing pills from our state mental ward to sell them later. Thinking America's Bicentennial would prompt Jefferson Starship plus Grateful Dead to perform freely in Golden Gate Park, headed south with friend Ray, driving one-oh-one down entire coast (nearly killing us when his bald-tired Vee-Dub spun circles on twisting roads through California's redwoods). No concert transpired but our good friend entertained us from his expensive digs above Oakland, serving up ridge views with top-flight drugs. Returning, faced up to first failure as freelance writer of fiction, looked in my mirror, predicted, "If you don't get your ass back to college for some kind of degree, you never will." U-Dub to my rescue, restoring my transcripts, enabling graduation in five college quarters.
Postscript: afraid to take summer off (because I'd drop out again), attended said institution for nineteen months, grabbed its sheepskin after Christmas, proving to myself how one can be right/wrong simultaneously.
—Johnny Rotten on “No Fun (excerpts)” from Troublemakers, an anthology album
Author’s brother (left) and author Seattle Center, September 1965
This should be my second childhood. I remember childhood, or I think I do. Days shimmered, each one full of promise: unbounded time, more valuable than gold, silver. Complaints only when I heard THAT call: "time to come in"—"time for bed, young man"—"c'mon it's time for church". I still rail, still complain to The Adult, but he lives in my head now. I want to subcontract my adulthood so I can play through- out my adult childhood. This role requires timely attention to details of my life without one whit of bother to me...ah, but then I would need to hire someone to watch that first one. Where would it end? No, better to restrain my adulthood to its bare, needful minimum, let my child command ev'rything else.