I had thought to wait another day or two for the Poem Post-Mortem (which sounds pretty cool if you say it aloud). I had a lot of reactions in the final ten days or so, and I see no reason to wait. In no particular sequence, here are some reactions of this author…
It actually got easier in a way when I got into it. In reviewing at random over the course of the writing (July 7 to October 8), I noticed that somewhere around one-third of the way in, between poem 31 and 35, the subjects seemed to suggest themselves more easily. They acted like shy faerie folk who don’t know what to make of the giant human at first. Were there any ‘good’ poems in the first 33? I guess. I’m much more pleased with the ones over the final third.
I became more surprised at what words showed up. In particular, Daymare(Oct 1) popped in from who-knows-where. All I did was think, “I’d like to write something more ‘image-ry’ like the ones Bridgette does.” Fine, mission accomplished, but from where did the image come?
I surprised myself also by sticking with it. My general attitude toward life has been, “when the going gets tough, get going,” in the sense of go work somewhere else, go do something else. “Life’s too short to keep [insert what I don’t want to do].” Yet I cracked the ends of both radii in my arms only two weeks in and kept right on writing. I traveled for two weeks yet wrote poems #35 through #49. I contracted the flu Type A on September 24 and kept right on writing. I must credit Bridgette with that, mostly, because she kept writing through her time sucks and bodily aches.
More people are interested in reading my poems than my prose. My blog readership increased about 100%, and my followers rose about 10%-20%.
In the beginning I mined poems written long ago when I railed inside at the perceived shortcomings of the people running my places of employment. (I still think I was partially right, but over the two to three decades I accumulated those poems, I learned two things: there are more paths to the goal than you think; and oftentimes the goal you think you’re working toward is not the goal your management is working toward.) Those poems in my opinion remained stilted, as if I tried to breathe life into a corpse but only succeeded in creating a zombie.
I have a peculiar knack to take a popular tune from my younger days and spontaneously craft new words for it on the fly. I sing these to my wife who rarely is amused by it. I’m rather proud of the fact I can create rhymes and mimic the meter of the original tune, but then I’m a borderline narcissist. This talent(?) helped in writing poems, particularly when I decided to rhyme them.
When I lowered my expectations my poems rose in quality.
I have a strong urge to publish a poem today! Resisting.
I thought as I got into this a little bit that it might be fun to rework the better poems and churn out a chapbook. I still might, but I’m thinking more that I will be working some poems on the side for submission to poetry websites. There are plenty. A new blog I follow, zumpoems, has this list of more than 4000 places which will accept submissions.
About the photo: I’ve carried that book around for about 30 years (published 1996), even though by then I had given up on my dream of actually earning a living from my creative writing. I never liked it that much. Pulling it from the to-be-donated pile, I thumbed through it today and I’m much more inspired by its suggestions and insights. Like so many things in my life, poetry came to me when I quit trying to be a poet.
And the poets down here don’t write nothing at all, they just stand back and let it all be…
On July 7th I caught up to the fact that writing friend Bridgette had embarked on one of her #100 jaunts, this time with poetry. I decided to join and wrote a couple a day until I caught up. (Somewhere along the line my poem number equaled the date in July.) It became both easier and more difficult. I think I’ll do a full download in a day or two, but today, the knowledge that the finish line has been crossed is exhilarating. I feel pretty good about it, and as I’m just regaining my energy after a lengthy battle with the flu, it’s good timing.
Here's to a century of poems! To the angelic Muse who inspired where human thought faltered. To pain examined, to sorrow freed, to joy remarked and justly praised.
Here's to blather, whimsey, musicality, studious lexical construction, obstinacy, dread. To sheer, stubborn perseverance. To posturing, to pretense, to ego filled and deflated.
Here's to subjects barely scratched and to those wrung dry. To daily forays into unknown spaces, led on by Trust, by Belief, by extra- ordinary Chutzpah, by Faith.
Here's to allowing oneself to learn by doing or perhaps by not-doing— by re-examining the Done and separating it from the Not Done (the fantasy following us forever).
Here's to Attitude! To Meekness, to Gracious Acceptance when your best garners nothing, but your mediocrity reaps praise beyond your understanding.
Here's to not understanding your own poem yet thinking you can critique someone else's. To mighty draughts of Ego sipped daily at a keyboard altar.
As with any history, this one lumbers past its usefulness. One hundred created anythings seems remarkable enough. Why bother rehashing the hashed?
Tomorrow marks the 100th poem, the end of a poetic journey which seemed much longer back in July. Thus, today is the penultimate day, and I just can’t get over what to me is a ridiculously pompous word.
Is this the penultimate day? Will green sprout imminently? Or is this the penultimate day to the penultimate day, or is it…oh, heck, we’re all penultimate in some way. Washington State, August 1994.
Once again we trot you out, presager of triumph, crier for others, never cried for. Sound your trumpet! Herald 'The End'! Tomorrow we shall rejoice, we shall party, we shall bask in the well-turned, diligent task. Today, though, we need someone to set up the tables, the chairs. Thanks again— your check's on the counter. I wrote this on the penultimate day of your penultimacy. Couldn't be bothered to mark the unremarkable.
What could be blue in this small box? (Note blue pencil.) December 1971.
Today I'll wear blue to honor my father: jeans, a perfectly medium blue shirt, blue socks—and unlike him, I'll even thread a blue belt around my waist and my sneakers shall be blue. He would not approve or understand belts, shoes which weren't leather. Such a cheery man! Why fixate on blue, the color of sadness, brooding, moping, the heart's coldness? Yet, he painted his room blue too. When I wanted to know him better, I would open his closet, walk my fingers through his clothes: blue, blue, blue, blue. I remember when quite small his 'modern' patterned shirt, pink bars set on black. Where did that man go? Back then did he hide his blue heart?
I took myself outside to seek a dawn which did not come.
Tulip poplar. October 2026.
Cool, cooler than most mornings we've had for the past five or more months. Dawn's only evidence: white sky where once night's charcoal glowed with city lights. Occasional cool breezes stir the tulip poplar leaves, make the yellow ones dance excitedly. Acorns have started their rat-a-tat assault on neighborhood roofs. Only ours seems spared, which also seems impossible. Cawing crows on the move signal some kind of discontent. Who knows with crows? Murky morning light half-reveals visitors to bird feeders full once again with seed: cardinals claim high perches; nuthatches perform hit-and-run, exuberant, vocal. Gray squirrels blend into the bland, starting their day-long search for dropped seeds and other treasures. In front, cars swish by more frequently with each minute. Dawn marks morning's commute these days.
Now Wren takes up his daily post on our stairway, trilling his claims to the morning, or perhaps just boasting. His simple song gets answered by another wren who voices "Where'dja eat? Where'dja eat? Where'dja eat?" Scree-ing discontent or merely hunting, a red-shouldered hawk cries from the top of the tree canopy, scattering cardinals, but not anyone else. A third wren joins his friends with a shrill version of the cardinals' soft sibilance, and rail-wren answers. Overhead, one of man's attempts to emulate birds whines, sounding as if it will imminently be crashing.
Do you remember when you woke as a child and the day held nothing but possibilities? When all that mattered was Now? When so little Past sat on your shoulders, you couldn't feel it?
I’m flat running on poetic fumes. Numbers 99 and 100 have outlines, but we’re not there yet. This is one of three in the countdown to the countdown. I’m not being aided by what seems to be a slight relapse toward the sick end of the spectrum.
This is what happens when you have children. My brother, circa 1989 when his children were aged approximately 7 and 4.
Never having children, I decided not to grow up. Perhaps, rather, these two thoughts intertwined, reinforcing the other. Prospective parenthood seemed to demand more maturity than I cared to exhibit on a continual basis. And toys! Surely I deserved toys as much, no, more than some lucky random assignation of my genes?
Truly this screams of revisionist history. My arrival at the Maturity Party came late. I could not more think of children while teaching 150 of 'em each day than I could see how my chances to sire some dwindled each year I drifted away from my partner. One last gasp, one chance to Be The Dad, dashed when my new wife vanquished cancer but destroyed motherhood in the process. Just as well. Advanced Childhood has served me as well as Stumbling Adulthood seems to have served others.
Is it getting to be a bit much, what with flu recovery and all? Maybe…maybe a little bit.
Your poetry shelves will be as bare as the pasta section of your grocery store during the pandemic! Huzzah! April 2020.
Welcome to the Century Poetry Workshop where getting it right never precludes getting it done. While you're here you'll experience the ups, downs of any lesser program, but here you'll get to do so, again, and again, and again, and... again. Our founder realized the old adage, "If at first you don't succeed..." carried within it the implication that succeeding meant you could stop. Reasoning this didn't reflect real life, he instilled in us the belief that getting it right deserves a pat on your back and a well-deserved feeling of accomplishment which should last until tomorrow, when it vanishes, just like it does for any baseball player who experiences a victory in a late July game. And don't worry about "How will I ever keep this up?" We've got you! Our patented Stage of Global Failure will make sure billions have access to your daily task to produce yet another poem. Please note your publishing platform has parameters in place to reject one and two-lined poems and frivolous limericks, haiku, clerihews, and the like. We're not making THAT mistake again. (Also, shame parameters have been increased for putting such drivel online.) When you 'graduate' this program, a century of verse under your literary belt, you'll know you've accomplished something! Will you be able to call it literature? That's up to you—we highly recommend it, because how else will you justify those daily doses of depression to 'write just one more?' Remember, as with any task like mopping your kitchen floor, you only get out of it what you put in! So keep up the good work, avoid those haunted eyes of the near- graduates, and go write a poem!
95/100 100 poems in 100 days (I can smell the finish line…)
Despite getting over this flu’s fever—and managing to stay awake all day!—crazy periods of dizziness keep washing over me like waves. This makes discovering yet another poem almost more problematic than letting a raging fever power Creation’s bark toward shore.
The Final Week of this 100-poem marathon would seem to demand a kick, but marathoners know kicks can’t usually be summoned after all that. Gutting it to the line and over remains a worthy goal. Perhaps a joyous sprint of several paces? It will have to do.
Ocean Isle Beach. November 2007.
every beach day I turned over rocks, peered into tidal pools, walked wet sands while my head defined my body's right angle. shells, creatures, treasure—call them by their true name: hopes. I planned no plans, no marine aquarium, no extensively labeled collection. "to espy" my only goal, one not easily satisfied. three score, more, yet still my mind scours its sands searching for treasures. when one's former brilliance dims, when nothing can be espied, nothing plucked even momentarily, no triumph exclaimed—this little death brings disproportionate chill. Would to have not known this stage when audiences depart quietly, embarrassed for the actor who cannot seem to remember his lines.
Top photo through passenger window as I tried to remember why I was in the car. Other two were noted as I went to get groceries from the car. The middle photo is a bee who wouldn’t cooperate.