rewritten…see later post

rewritten…see later post

Raven-black part of my consciousness
Why are you there?
Oh, yeah. You’re me.

I was reminded today of Allen Ginsberg’s definition of an American sentence as English’s answer to the haiku. I’m stealing most of this from another blogger. And here is another bit of definition. Ginsberg felt English needed more freedom to achieve what the haiku accomplishes with its 5/7/5 structure. To write one, use 17 syllables in a grammatically correct sentence (or sentences). One full line, arranged if you like (as I’ve done above). In my opinion, one should attempt the juxtaposed twist in meaning at the end as one reads in a traditional haiku. (Is my photograph a visual twist? “Raven” becomes “crow”?)

I’ve waited more than three months, I’ve written it in prose, then verse, then a different verse, then rewritten the prose. This may be as close as I get, and it’s not to my liking, yet I’m publishing it to get it off the e-desk and out of my mind.
Two Voices Debate
“There are rules,” she said. “Rules rule.” Pitiably, I Know what she means. ============================= Put the colored pencils in Sequence according to height, Says my ten-year-old inner voice. Nice. Now rearrange by color, Rainbow-like. (Look up the spectrum If you must, Kenny.) Now, Place the colors violet through green, Left to right, into your rack with space between, because… Double back the ‘light’ colors from Right to left, ending with red between Violet and blue. Good! But now, Arrange them alphabetically By color name. Now put them Away. We’ve no time to actually Do anything with them. Besides, You’re no artist anyway. ============================= When you walk to school, step Precisely between the expansion Seams of the concrete sidewalk. If there’s a crack, step in the bigger Piece still between the seams. For extra points, step equidistantly From each seam. No care for Mother’s back in all this—just Walking how you color… ============================= Oh, beautiful algebra! Lovely Geometry! Your rules so pristine, Your road to explainability, to All’s-right-with-the-worldness. And Diagramming sentences! Who cares If it’s useless? It’s beauty cannot Be denied! Science, though, Its physics, its chemistry, its Squishy biology stuff, no, Not abstract enough, not In-your-head enough. Too Practical, too mundane. ============================= You have to call her, man. But…today? Is three days a Proper amount of lead time? Would twenty-four hours be Too little? Would it be better if I called in the afternoon or Evening? Oh, why did I ever ask Her out in the first place? “You know, I think I’m not going To go to the prom this year after all.” ============================= ”No, I’m not going to wait twenty Minutes to eat, especially if I have To wait outside. It’s cold.” He drives Off spending forty minutes to Save twenty minutes. ============================= “We could gas up there.” Wrong side Of the road. “There’s one.” Nope. “Too seedy. There’s one!” but, Crap, every pump’s occupied. Ding! Your car says, "feed me". ============================= “Isn’t life too difficult this way?” Asks Creative-Emotive Voice. “Can’t We take it easy? Just roll with it?” Try that. Good too. Shut Obsessive- Controlling Voice into its compartment Deep within one’s gray cells. Overrule Edicts for living, for walking, for performing Every. Single. Act. Of. Human. Existence. “If you’re going to be A Writer, how Do you expect to do it listening to That Guy? Feel your heart surging? Sure you do. How can you ignore it By following these silly rules?” Drink too much. Eat too much. Drug Too much. Watch movies while Neglecting one’s bills, one’s friends, One’s social reason for being… One’s stated creative urges. But: Give Rulemaker his short leash. Gentle grid of rules on fields of Creative abandonment. Create. Create. And create. Short Circuit all words with singing, With photography, with poetry (yes), With—of all things—computer Programming. (“How can I fail At explaining what I do When I program?” Sorry, Dude, no words involved then, No words available now.) ============================= Uneasily, after many misstarts to One’s Life Direction, Let them both talk. Let one Over-rule the other, let one Overrule the other. Blend, Mend, learn Selective Voice Attention Mode. Leaving one Question, one conundrum: who selects which Voice? Who are you? Who are “You”?
(to my mother, a bit, but mostly to me)

It begins like this, this path toward normalcy, the funeral two weeks past: One less beer before bed. Dreams versus nightmares. Willingly entering the jail of work. Discovering your face is smiling. Telling jokes. Wondering why your friends can't get along--then not caring. Considering your life may continue as once it did, an insensitive, joyous expression of "Yes I'm Alive"... Undermining this carefully cultured mourning pose you've adopted. And guiltlessly saying goodbye to it.
“He writes poetry to maintain his sanity, and hopes to succeed some day.”
As seen in the bio of James Piatt, octogenarian, on Ephemeral Elegies

This is not a poem. This is not a diatribe. This is not a manifesto. This is not much of anything at all, Except one man accepting his Legacy from another.
He carried burdensome feelings of inadequacy, imperfection, insensitivity, all of them tamped down hard, buried deeply, like a stone in his heart. He layered it with each failure, consoled himself with "At least I am providing for my family." "At least I do good work, support my co-workers with grace, with fairness." And mostly with "At least I fear God." Though whether fearing God came from his true heart or from his boyhood he never knew.
Each new layer of failure or
consternation or losing
control to anger resonated
all of the other layers. Each
new layer seemed heavier
than the last.
Eventually
his heart-weight became
too much. One failure
too many. He said to himself,
"I am perfect enough that never,
never should that have happened."
He said it again. And again. And every
day again. He repeated it,
haunted himself with it,
layering and layering his heart
until it only could beat
when he didn't think--
and he only could not think by
shutting out his own voice,
stopping up his ears to his heart-stone:
taking flight in sleep,
in blessed nothingness.
Five years and five months he stayed chained to that heart. Then he died.
I saw that man yesterday. I see him more frequently these days. I recognize his ways. It seems I live with him more and more. I wish I could cradle his rounded, load-weary shoulders, caress the thin hair of his head. Tell him it's okay.
Then ask him, "Could you do the same for me?"
No, definitely not a poem. Poems rhyme, poems have meter. Poems make sense.
Gnaw Orleans, population one. Surrounded by tusked tasks, centered but not, paralyzed. Icy tears bend old branches--will one break? Violin music screams out its bow-stressed catgut attack. By your aches shall ye know you're alive. By my ass shall alligators gnaw me. Hey, Thoreau, when the quiet desperation's gone, Where's my motivation?
"You must sort like with like; Unlike items may not be grouped. Please Do not place viable problems among Long-dead festerments of imagination which Likely never lived in the first place. Your Concerns must be separated into irritants, Road-blocks, and show-stoppers. If you need help, please use the app on Your phone--attendants appear only to Add worries to your concerns."
Henry David, I'm gonna need a hand here. Give the catgut to the alligator, melt This ice offa me, distract a few of the tuskers With your burdensome thoughts while I Attempt to choose which of these ass-gnawing, Branch-breaking stressors will be coming Home with me tonight...


When I listen to You I don't hear Her...
Them? Voices telling me (in words I've never heard before): Things I've suspected, Never knew, Don't want to believe... Never believed.
Your words resonate, Sound those harmonies, Those sympathetic vibrations Deep within me.
Her disparaging judgment of me Sits numbly in my soul-- This benign tumor neither Growing, shrinking, or leaving.
Her close (convenient) friend Blocking refuge's door: "She doesn't want to talk To you." But-- "I'll talk to him," She said; A limited engagement.
What did She say? To Her friends? To too many?
How could this man, So wanting conversation, Communication, some Shred of mutual effort To maintain a marriage, Find himself wedded to Her non-talking cold Judgment, spitting out Her assessment: Verbal Abuser?
When I listen to You I can't see Verbal Abuser. You paint me differently: Partner. Spouse. I see this. I think, Maybe, Maybe, this Her, Might have erred.

Fearing language, tongues Curbed, feelings thwarted, Shells built, lacquered, Again, again, again… Forever adding layers Between heart, meaning, Cell-fired knowledge; those Truthful connections brought By well-placed, -chosen Words--to favor Tinsel-shiny, symmetrical Language trees grown in Deception forests. "I love your sweater"-- Its workmanship, Its fuzziness, how its Fabric truthfulness Lets me see you; how Its presence demands I Explain why it's such an Effrontery to my eyes. "Ah, rum balls again! I Look forward to these, Every year!" Yes: Looking forward similarly To property taxes, to Week-long rainstorms, To dogs humping my leg. Intellectually accepting Privileges offered me By these taxes. Loving Dense greenery which thirsts For spring rainstorms. My Sardonic smile acknowledging This dog's instinctual need. "Didn't your mother ever Tell you 'If you can't say Anything nice, don't say Anything at all'?" "No. I would like to think My mother had more Character than that." (I know my father had.) Poetry walks narrow Precipices. One misstep Spells doom. Meaninglessness Assails poems, surrounding Them, attempting to breach Their constructs. Poets Cannot choose their weaponry. What comes to hand, Comes to hand.