…or, “Why I laugh at those ‘investigators’ of ghosts”


Fearing language, tongues Curbed, feelings thwarted, Shells built, lacquered, Again, again, again… Forever adding layers Between heart, meaning, Cell-fired knowledge; those Truthful connections brought By well-placed, -chosen Words--to favor Tinsel-shiny, symmetrical Language trees grown in Deception forests. "I love your sweater"-- Its workmanship, Its fuzziness, how its Fabric truthfulness Lets me see you; how Its presence demands I Explain why it's such an Effrontery to my eyes. "Ah, rum balls again! I Look forward to these, Every year!" Yes: Looking forward similarly To property taxes, to Week-long rainstorms, To dogs humping my leg. Intellectually accepting Privileges offered me By these taxes. Loving Dense greenery which thirsts For spring rainstorms. My Sardonic smile acknowledging This dog's instinctual need. "Didn't your mother ever Tell you 'If you can't say Anything nice, don't say Anything at all'?" "No. I would like to think My mother had more Character than that." (I know my father had.) Poetry walks narrow Precipices. One misstep Spells doom. Meaninglessness Assails poems, surrounding Them, attempting to breach Their constructs. Poets Cannot choose their weaponry. What comes to hand, Comes to hand.
Yes is the No Where that leads to Some Where or Some When, but always to an Any-When, an Any-Where.
Yes whips Some Where and Back When into Here-Now: No When, No There.
No is the Non-Where that cannot lead, cannot follow, cannot do anything but hang curtains of illusion between us.
No jerked out of Satan's mouth mid-plummet, greeted Moses after Sinai, cloaked Judas's lips during his god-kiss, takes little bites out of our daily redemption.
Yes is the Here that pinpoints Now, focuses our hearts like candles mid-night, like a scream on a quiet summer's night.
Yes escaped Jesus's mouth accepting pounded nails, danced in Stephen's blood, dissolved barriers 'tween mortal enemies, plasters o'er cracks in our good intentions.
No was good enough in Its Day, made us look more intelligent, more urbane: critics, noses tipped. But Now, Yes must be given Its Due, must claim center stage in our heart's theatre, in our dreams of Perfection.
Then we'll move on to Yes-No and No-Yes, live in Then-Now making plans for Now-When.
Single-note poems,
Listen up!
Solos, well & good,
Don’t cut it.
Today, complexities
Rule!
Cacophonous sometimes,
Symphonious
Others, but…
“Collaborative teams” —
That’s our new cachet!
Okay, mister poet.
Slowly. Go slowly.
Add one-part
Harmony. Let’s see
How it goes. (Still…
Isn’t this is a
Single-note poem?)