Wow, got home from first choir practice of the season and forgot to post my already-written poem. At least this gives me a chance to spruce it up.
Restroom sign at Spokane Indians’ Ballpark. August 2026.
Fool me at all
Fool myself, shame on me. Listen! Listen to my Muse who infuses spirit, wrenching right from wrong, meaning out of nonsense. That still, small voice yields more than all those shouts banging around my mind. Pray, pray for each moment, each small touch to break through every moment every day.
Failure, horticultural-style. Every spray of green you see is a crape myrtle. The tallest one which grazes the top of the photo, is over five feet tall. Other than the columbine you see in the extreme lower right, and the yellow tassels of goldenrod peeking through the crape myrtle, everything you see in the foreground is a crape myrtle. We paid last October to have the one crape myrtle which grew here removed. August 2026.
In some ways that’s a pretty cheap get I’ve put up there, but here’s what’s been playing on my mind:
Recently I’ve been attempting to not over-plan my days and then just hope I make good in-roads on completing some of them, nibbling at some others, and just feeling crummy about all the important ones that didn’t see a bit of my attention. “Wow,” I’ll say to my wife, “I really need to get to [insert important item].” I’ve found I use it as subterfuge. I’ll plan 6-10 tasks, a good handful of them all-day-and-more projects, then I’ll cherry pick the ones I want to work on. That one I’ve “really got to get to” becomes the sacrifice day after day. Plus, if you condition yourself to not getting things done, you begin to feel only superficially guilty about not doing them. Instead, the past two weeks I’ve estimated the amount of time certain tasks will take, generally held to that regardless of them getting completed, and planned no more of them than there is time in my day. I try to learn where I need to get more accurate on projecting how long a task will take. And just to keep it real, I plan 90 minutes called “personal time/time sucks” to acknowledge there are just unavoidable interruptions in everyone’s day. Thus, I’ve been failing because I’ve attempted to over-succeed.
In a larger sense, it’s difficult these days to go more than a month or two without encountering “you’ve got to fail to succeed,” spouted by some motivational type of person. (Gah! I thought I would get away from cheerleaders when I got out of school!) While I can quibble a bit with the mentality—I can point to many people, many situations where they will continue to fail, never experiencing success—it’s true right down in the gut that quitting because you’ve failed once isn’t a very good strategy. Date someone and they break up with you? I guess you’re not cut out for love! Put all your money on red and it comes up black? “I guess I’ll never win at roulette.” Or how about, “I could never make myself write. I guess I’m just not a writer.” Now look at the boy. Shooting for success almost always guarantees encountering some failure.
And last week I read “These 20 Words Are Worth a Thousand Pictures” an article about a very short poem by Ezra Pound. (I hope that link gets you behind the paywall. I’ve never tried to share an article to the entire world before.) Let’s dispense with the fact Pound collaborated with the fascist regime in Italy in WWII. Ernest Hemingway seems to have been a pretty good male chauvinist, and Michael Jackson, well, where do I start? All have undeniable artistic talent. Coming back to the poem and the article, I realized poetry takes a multiplicity of forms. As a writing friend told me a month ago, “It’s a poem if you say it’s a poem.” I hope the person saying it’s a poem (me) has enough artistic integrity to adhere to his idea of poetry. I think 25-40% of my poems have not been very good in this 100-poems-in-100-days thing. Poems condense meaning. They are to literature what a fine spirit is to alcoholic beverages. They seek not the pretty good word, but the right word, the best word. One doesn’t find the jigsaw piece which closely fits and just hammer it into the puzzle. One seeks for that piece which perfectly fits the hole. I’m going to continue to attempt to write successful poems. I will fail…but maybe not all of the time.
Oregon Coast, a picture of equanimity. August 2026.
Life hits lulls where everything seems "Okay"— Not "Good" not "Bad" just beautiful balance, something which seems more normal. Those highs match lows for extreme stress on emotions, on health, on mental well-being. "Give me equanimity or give me breath!" Thank you, Patrick. Always thought you were too wound up, but now I see you're just like all of us: wanting to keep our heads down for fear of getting whacked in some cosmic Whack-a-Mole game without rhyme, reason.
Old folks get “procedures”…lots and lots of ’em. Is it worse to prepare for where cameras should never go, or wait for someone else’s? (Said “someone” adding two hours to the wait because the fine print for drinking liquids addressed certain drugs which said “someone” might have been taking.)
Was this grass gone to seed when I entered the building? August 2026.
Waiting [.....] Never my strong suit, worse when it's unanticipated. Need to blame someone. Hope we're at fault; hope we're not. Then again...what did you plan to do today? Nothing Much. What ARE you doing? See? If two roads lead to the same place, how can one be better? (However: could that dude perhaps lower that video's volume?)
A haiku today, the second of slight illness (on top of all the parts of me which don’t seem to want to work right). It’s OK. I think it just started raining, and I know I’ll mostly be just chillin’ tomorrow when my wife has one of those procedures all of us old people get….
Benny on lap. April 2023.
man with cat on lap pet each other—happiness. nubbins on his pants
Almost every day, he said, my glass seemed more than half full, but a fly would dance on top. When we came into home, winging away from sunset, I saw one cloud-like nuclear explosion. My trip's symbolic, beautiful resolution.
Different voices have defined “found” poems differently. Here, I started with the opening line of a poem I drafted over a dozen years ago, then used random web pages to suggest a few words from which would spring the next line. I let whatever revealed itself in my creative half exist without immediately squashing it, merely shaping it, translating it from my interior language-without-words to a poor imitation in English. My Editor insisted on punching meaning into it, which I allowed. At the end I decided it needed to come full circle, thus lending meaning (I hope) to the final lines. In a way, this process worked similarly to something I’m getting ready to post (non-poem) when time allows.
We wear patchwork clothes, stitched by sadness not to have seen snow leopards through our blizzarding genesis. Inspired by writings we don't understand, we personalize them to make everything obtain meaning where none existed. Welcome to your mission: to drive home meaning to others while pathetically struggling to find your own, exhibiting your confidence which betrays your lack of understanding. "the mic is yours, Ken," as if he thinks I'm important. Games, games fill cracks left when motive, meaning dried up. More valuable than playing? Being. Staying within where we find nothingness imbuing everything-ness. Boldly facing it without doing, comfortable in this. Yet, in here we wear patchwork clothes, satisfied they're stitched by sadness.