Holiday Stress Daily Soundtrack

Yep

Technically today’s soundtrack started with mass this morning and our choir’s rendition of “God Omnipotent Reigneth” written by Charles Wood. The performance occurs at 1:07:25 in the cathedral’s weekly YouTube broadcast . I wish the microphones could pick up the resonance provided by one of the largest cathedral spaces in the United States. Perhaps search out an alternate performance on your streaming platform of choice.

Today’s soundtrack continues with “Goof Balls” by Keller & The Keels, which perfectly describes how I feel when I volunteer for an extra time-sucking task on top of all the Christmas stuff on top of all the daily things I can’t seem to get done! (Hence my image up top of a years-old meme.)

That put me in the mood and I’m going to listen to Keller & The Keels’ album Grass from 2006 which leads off with “Goof Balls”. It’s much clearer on the studio cut. After that who knows? Oh wait–it just hit me. Teenage Depression by Eddie & The Hot Rods. It has just the right combo of nihilism, resignation, and the feeling of being strapped to the cowcatcher of a train. Suits me to a tee.

As Herman Hesse said when playing Dr. Johnny Fever on WKRP in Cincinnati, “The doctor over-medicated last night, babies.” (or something like that) I feel the need of some medication coming on….

Liturgical year endnotes

In the Roman Catholic Church tomorrow is The Solemnity of Our Lord Jesus Christ, King of the Universe. This begins the final week of the year…as far as liturgy is concerned. The new year begins with the First Sunday of Advent on December 3. This year Advent is three weeks and one day long, the shortest it can be, because the Fourth Sunday of Advent falls on Christmas Eve Day. It can be four weeks long when Christmas falls on a Sunday as it did last year. Thus the end of the year prompts a bit of reflection for me before falling into the seasonal frenzy.

All of this by way of saying too many things dance in my head this moment to make this a coherent piece of writing. One of yesterday’s posts prompted a request for more “soundtrack” postings, and I’ve decided to play with that for a little bit.

Today’s soundtrack

I’m a bass in one of the choirs at the Holy Name of Jesus Cathedral in Raleigh, NC. There’s a lot of music coming down the road right now. We’ve a special liturgy full of music coming up, Lessons and Carols, and then there is the tradition of a musical presentation preceding the Midnight Mass on December 24-25. (The music begins between 11-11:30 p.m. to make sure the mass itself begins on Christmas Day–“midnight” mass.) This year’s music packet for the choir is nearly 100 pages. I’m not telling this to brag, convert, solicit sympathy, or narrate information about the church. I’m telling you this to explain that the soundtrack began with a lot ME practicing my music!

The remainder of it has been finishing Yessongs by Yes. Released in 1973, it’s more interesting than good. Large amounts of the two-hour album are better on the studio albums where the group could overdub to its heart’s content. I’m particularly not fond of some of the improvised melodic changes. They’re just not as good as the originals they’re meant to bring to their audience. But considering the large of amount of overdubbing and the intricate work which went into making the studio albums, it’s illuminating to hear how well that is conveyed in concert.

Enough. It’s time to sip some cheer, consider stories for my annual Christmas newsletter (more on that later), and relax. For now I will leave you with an oakleaf hydrangea, a native plant in the southeastern USA (which I just learned!). Some lousy squirrels broke it off just above the ground last year because it’s almost directly under a bird feeder which they cannot reach. Thinking the entire thing was dead and gone, you can imagine my delight to see it sprout a small plant this spring. It has conical heads of white flowers which turn woody in the fall–literally, like little chips of wood. And of course the leaves! Worth trying to save.

Oakleaf hydrangea. November 2023.

Black Friday hodgepodge #2

[don’t think I’ll get to #3…]

Charlie understands the ubiquity of Black Friday, every day of the year. This is Charlie ticking one of the boxes on his “to do” list. Black Friday, November 2023.

Black Friday is Un-Leap Day. Unlike February 29th which is Leap Day and disappears three-quarters of the time, Black Friday always comes around, promising a beautiful day of absolute disassociation with reality. Not for me streets, crowds, stores, obligatory family walks in the park, online shopping, chores, responsibilities, or anything that smacks of “have to” and “well, I really should.” Black Friday for the past 40 years means I have a day where Conventional Reality doesn’t exist. It is a day of nothing, a day of meandering in a mental (and sometimes physical) sense.

Black Friday is to Fridays what Black Holes are to holes. They both suck up time like a temporal vacuum cleaner and spit it out. I’ve no idea where Black Holes spit their time, but I know that Black Fridays spit it out onto The-Saturday-After-Thanksgiving, the day when life begins to engage me again.

Black Friday gets echoed by New Year’s Day, but I can’t totally disengage on NYD. Its ridiculous premise that something new is beginning grabs me every time, makes me believe I should be resetting my life, cleaning out files, organizing my bills, planning how I will be a better person in the coming 365 days (or 366, yes, I know Leap Day, there, there). Both Black Friday and NYD invite introspection, or at the very least, the last grasp at annual goals still unmet–but only in a laissez faire manner.

One strives little on this day. Breakfast is leftover pie from yesterday. Dinner reruns the big turkey thing of the day before. All food in-between consists of noshing all of Thanksgiving Day’s appetizers, crudités, snacks, etc., before turning to that leftover Halloween candy or the box of chocolates someone forgot to take with them when they left yesterday’s feast. Beer makes an early appearance…or not. It doesn’t matter. It’s Black Friday.

Yes, the same glass as at the beginning of the year. It’s a favorite, particularly when holding Chimay Grande Reserve. Thanksgiving Day, November 2023.

Black Friday hodgepodge #1

Though I’ve (semi-) resisted turning this into a long-winded version of Facebook, from which I fled two years ago, today I must succumb. Perforce….

…kinda reminds me of that time I tried to drive a car while tripping…had to pull over and say to my friends, “I can’t tell which one is the traffic light, guys.”

Today’s soundtrack

Workingman’s Dead (2013 Remaster), The Grateful Dead.
It seems impossible to avoid these remasters in today’s streaming world. Thankfully, this one does justice to The Dead, pulling out voices with clarity and adding a high-fidelity punch to the guitar playing.

17-11-70 (UK-Release Mix), Elton John.
This has to be one of the best live albums from my teen-aged years (though the American version was titled 11-17-70 to reflect our peculiar dating system). Elton’s piano and vocals are accompanied only by Nigel Olsson on the drums and Dee Murray on bass. The performance occurred at A&R Recording Studios in front of fewer than 200 audience members, but was broadcast on radio. This mix has more reverb than my original vinyl–which I still have, by the way. I think the extra reverb mostly sounds better to my ears. The vocals are clearer than my overplayed vinyl too. After this Elton’s style began to change from a piano-ballad style; this represents the only live album of his to reflect what he sounded like in the early years. Wish I could stream the expanded version released a few years ago, 17-11-70+.

Captured Live At The Forum, Three Dog Night.
Sticking with the great live albums from that time, and predating Elton’s performance by a year, this album highlights an interesting vocal group of the time. One of the great concert lines occurs a short way into the recording: after listening to some shouts from the balcony, one of the stars (look, I don’t know who’s who) says, “what’s that? you can’t hear us?” and another bandmate steps forward to say, “See? You shoulda bought the five-fifty tickets up front!” Fresh humor and remarkable that front row seats cost only $5.50!

After that? I’m thinking to stick with live pop-oriented stuff, so I think one of the greatest live albums is out: Live At Leeds by The Who just rocks too much. Likewise for Near The Beginning by Vanilla Fudge or Steppenwolf’s Live! Hmmmm…. what about Yessongs? That should do nicely. Later, folks.

Dreaming of Thanksgiving

The latest of several T-giving birds on the Bar-B. My friend George oversaw this one as I kibitzed from the sidelines. Bogue Sound, NC. Thanksgiving 2023.

Thanksgiving for me begins with a way-too-early uncorking of some fine grain-based beverage. Lately this has meant something from Belgium or at the very least inspired by that country’s take on beer. Thank goodness Costco always seems to offer up Chimay Blue at a reduced price (though still expensive). Chimay Blue is dark, offering up the darker fruit tastes (currents, raisins) with an undercurrent of chocolate. Being Belgian, it has a surprisingly dry finish. Sure, it’s 9.0% ABV. Isn’t that what it’s all about on a holiday?

This holiday I hope to kindle our first fire in the fireplace. It predicts to be 38 at dawn, rising to ‘only’ 59 on a sunny day here in Raleigh, NC. That might qualify, especially if I leave the nearby door open to the outside deck–our cats will certainly want to enjoy the holiday sunshine.

Christmas Day, 2022.

Though we had thought, “hey, let’s do something different,” and purchased a couple brace of quail, the pull of tradition grabbed us. We’ve shelved those quail plans for another day, and in just moments we will plan our menu for the day, knowing it will revolve around a slow-roasted turkey in the oven. Our theme will still be Southern style: the brined shrimp will provide the midday sustenance needed to get to the main meal which will feature either cornbread or grits. A nod to the North will likely occur also. My wife introduced me to the concept of mashed rutabagas (or turnips) instead of potatoes. And the already-planned butternut squash pie still looks like a go. Licking my lips already…..

All the Dearly Departed

Five days after a funeral. Lake Lynn, 07 November 2019.

Warnings & Notes: This post contains a few graphic depictions of death, some examples of socially unacceptable behavior, and is just generally a downer if you look at it a certain way. Also, some of these observations have been made before. If you read this blog regularly (there’s only a half dozen or so of you), well, sorry….a little.

This year All Souls Day, November 2nd, marked the fourth anniversary of my mother’s funeral. It’s the day I most think back upon her life and death. The anniversary of her death, October 24, I barely note. Sometimes it even slips by me before I realize it. The funeral symbolizes my mother’s love, her life, and all those influences we spend a lifetime unraveling. In contrast, the date of her death represents thoughts I acknowledge but do not celebrate, and her passing is hardly something to celebrate in and of itself. I would rather focus on the entirety of her life and death: the funeral marked that, not the death.

My mother and I lived more than 2100 miles apart at that point. My profession had taken me to the eastern United States; she remained in Spokane, WA, from where she had encouraged me to follow my dreams wherever they led. Her parents had, my father’s parents had, they had themselves, so why shouldn’t their children? Still, it didn’t reduce my guilt much for not being more available to her in that last year, indeed that span of a half dozen years when she lived on after my father’s death. My brother lived nearly ten times closer in Tacoma but it took me only a few more hours to get there by plane versus him taking a drive across the state. He encouraged her to move to Tacoma. I half-heartedly supported him. She refused, saying her friends and neighbors were in Spokane.  I strongly pushed that she could move to a “retirement community” there in Spokane where some of her friends lived. She demurred, then refused. Her best support network were the good neighbors she had. She was right. We were wrong. I saw one of those retirement homes at the end of her life. I was really wrong, and–

But I’m not going to rehash that whole period. I’ll just note this: I watched her steadily decline during the five years after my father died, visiting her more and more frequently. (The Fates blessed me in several ways when 13 months after my father died, I started traveling the country for work. It became just as easy to fly to Spokane as to Raleigh.) In December 2018 my mother learned she had Stage IV breast cancer. At 89 years, she recoiled from and declined chemotherapy, threw her lot in with hormone receptor treatment (a pill, nothing more), and for various reasons was in and out of hospitals, convalescent homes, and her new apartment in a “retirement community” through the fall of 2019. She celebrated her 90th birthday in that apartment.

I visited my mother a dozen days into October 2019 as she lived her final days. I returned home only to receive The Call two days later. It was a Thursday. Knowing my brother could drive there quickly, and emotionally exhausted from watching her exist in a morphine-induced stupor, I rolled the dice, told him I wouldn’t come until Monday, and I let him spend Friday through Sunday with her. I flew back on that Monday, and sat beside her bed a lot until she passed away on Thursday. My brother had returned to his home and job. Thus it fell to me to handle the first round of details.

From the moment a loved one dies, those closest to them experience a bewildering whirlwind of details thrust upon them which must be handled immediately. As the elder of two children, the most controlling of us, and frankly, just because I was the one there, it fell to me to make those arrangements. Again, I shall refrain from a step by step accounting of it. This is supposed to be an accounting of All Souls and a celebration, not a macabre dwelling on those days of death. One example shall suffice: on Thursday morning, the day she died officially at 10:22 a.m., I had to leave her to be at the bank when it opened at 9 a.m. The instruction manual entitled “What You Will Have To Do When Your Second Parent Dies” never made it into my mailbox, I guess. If it had, maybe I would have been better prepared than to learn in her final hours that her investment accounts would be frozen for disbursement when she died, and that as her executor I would be paying bills with whatever sat in that bank account for the foreseeable future. The bank account had less than $3200 in it when I dumped a huge amount in there. Take note if you’re ever in this position: for the next year, I had to pay bills from that account. If I hadn’t done that, my brother and I would have had to agree on splitting the bills. Really, take note.

My mother’s death came as  a relief. I’m saddened to admit her death came as a relief. I know many have said this, but I feel as I feel. She had suffered with increasing pain from the breast cancer for a year. I doubt anything can prepare you to listen to your mother slowly drown and die, to realize the fluidic sounds of her breathing come from her lungs as they slowly fill, to watch from a removed perspective as your voice sharply criticizes the health staff which insists on turning a patient even when this obviously makes the breathing worse. Beyond prayer, I simply endured. I carry with me that immense relief I felt when I re-entered her room after a short phone call from her cousin and discovered my mother had died. I also carry with me the commensurate load of guilt for not being there at that moment. The part of me formed by social mores scolds me perpetually; the accepting, independent side of me simply says, “that’s the way it happened. There’s nothing which could have been done at the time, and there’s no shame in feeling relief.”

In contrast to the anniversary of her death, which represents a smorgasbord of feelings, few of them good, even fewer comforting, the anniversary of the funeral represents a day of love. It’s the day remaining friends and family gathered to mark how much they loved your mother and how much they would miss her. It’s the day you created all the little remembrances which would afterward become powerful symbols in your life. It’s the day you got to reminisce about all the times: mostly good, some bad, some funny, some sad. It’s the day when many told you “You did a good job by your mother,” even if they were lying a little bit. And it’s the day you closed the door, for just a bit, on all of those things which just have to be done. It’s the day when you looked forward to a few days where nothing about your mother’s funeral and estate needed to be accomplished: those things would wait a few days–with luck, a few weeks.

Each All Souls Day since that time refreshes all these memories. It’s the stem that gathers all the roots of remembrance and supports the branches of What Has Come To Be. For me, it’s inextricably bound up with my decision two weeks after her funeral to retire. Those twin events, her passing and my retirement, have become tied to those crazy years when a pandemic changed our society, or perhaps, when it revealed who we had come to be. All Souls Day, which exists quietly in the immediate shadow of its more important sibling, All Saints Day, and is heralded by All Hallows’ E’en, tells us it’s important to mark the passing of those we loved and to pray for them, to remember them, to honor them. By its existence, it says to ignore the ones who have been declared important, and that we must instead recognize the importance of each of us.

Mostly, though, All Souls Day reminds all of us of the death of those we loved. It picks at the scab of a wound which will not scar over and which has become part of who we are.

Autumn around my house

A shrub. Yeah, I know. October 2023.

I’ve been laid up, figuratively speaking, from a lower back issue which has made standing up problematic. Little good has come from this, but today as a bit of therapy, I took a perambulation around our yard and the near neighbors. Here’s what early autumn looks like in Raleigh, NC. The shrub above does its thing along our front walk. I’m too lazy to look up what it is.

Tulip poplars in our backyard. October 2023.

To give y’all perspective, about 75% of all leaves are still green. I know, this is different than Up North. The 2nd weekend of October always had the reputation for being the peak of leaf-peeping season when I lived in New York near the Massachusetts border. Here…it’s a little different. In the above photo, the two tallest trees which stand in front of the others, are two tulip poplars in our backyard. (The house roofline is visible at the bottom of the photo.) The one on the left is exposed more with no tall trees immediately around it. It starts dropping a few leaves in late July or early August because our heat stresses it (I guess). It starts dropping leaves before anything else, and at this point is 75% bare. The tree on the right sits further back, and is protected more as a result. It’s just now taken a decidedly yellow tone with most of its leaves. As you can see, many of the trees remain green. At the bottom of the photo are the upper branches of a dogwood. Not all of the trees remain in a green state, though….

Dogwood in autumn. October 2023.

This is what all of the dogwoods on the property look like. We have six or eight. If they aren’t this red, they’re a mix of dusky red and green. Some trees around us are a bit further along…

Neighbor’s tree. October 2023.
Blue mistflower. October 2023.

Chrysanthemums aren’t the only fall flowers. The above is blue mistflower and blooms somewhere around Labor Day. It stays beautiful until a really good frost hits. Fortunately, that shouldn’t happen for at least a week, so we’ll usher in November with these lovelies still blooming. They’re ‘volunteers’ as near as I can figure: they don’t look as if they were planted because they grow in several of our flower beds. The ones above appear along the walk to our front door, appearing when I most lament the end of the purple coneflowers.

Sometimes autumn is just here and there…as are we…

Vine and oak leaves in the grass. October 2023.

Ciao, y’all.

Record review: Hackney Diamonds

This has nothing to do with the Rolling Stones except it’s stone–so there’s that.

I’m listening to Hackney Diamonds the new release by The Rolling Stones as fed to me by Tidal’s FLAC version. It’s stunning considering the age of the performers. I get a little bit of Black and Blue out of some of it, but several of the tracks just rock, straight ahead, ma’am, thanks. I hear a nice big fat and fuzzy bass on “Bite My Head Off” and whaddaya know? It’s Sir Paul McCartney on that one! I like that Keith Richards gets to sing “Tell Me Straight.” Lady Gaga joins them on “Sweet Sounds Of Heaven”…and Mick Jagger sounds just as good at bending a blues note as he ever did. (Reminds me a bit of JJ Grey & Mofro.) Look at the credits for this one! Stevie Wonder on piano? Ronnie Wood on guitar and backing vocals? Keith is playing bass? Oh HALE YEAH! And what a great tribute to their roots at the end of the album: “Rolling Stone Blues” by Muddy Waters, most of it performed with just an acoustic guitar and a harmonica.

When the album was announced, I read that this is the first studio album of original material since A Bigger Bang. “Surely that can’t be right,” I thought. “I listened to a new album in the last ten years or so.” Ah, but that was a bunch of blues covers, not original stuff (Blue & Lonesome, 2016). Shee-it. I was stuck in yet another unsatisfying job in 2005, the year that one came out. I had no inkling I was headed to North Carolina, that two more tension-producing jobs awaited, or that I would score a professional jackpot by entering the consulting world. Eighteen years is a long time, even for old people…like me and the Rolling Stones. (Maybe I should write a memoir called that–except I came to the Stones late.)

Whatever. It’s Rolling Stones Retrospective this afternoon. Streaming Aftermath which starts with these: “Paint It, Black”, “Stupid Girl” [the B-side to Paint It, Black if I recall correctly], “Lady Jane”, and “Under My Thumb”. There are signature movements in the music industry–Big Band, Rock N Roll, Hip Hop–and I’m glad to have grown up with one. Cheers, folks.